James Cameron Defends Bold Avatar 3 Scene Starring Oona Chaplin
James Cameron reveals why a daring, intimate scene in Avatar 3 became his favourite, and how Oona Chaplin’s performance secured her role. Discover the story behind this pivotal moment.
James Cameron’s much-discussed Avatar franchise is typically seen as suitable for all ages, yet the third instalment introduces a rather unexpected, intimate sequence. The director himself has singled out this moment as his personal highlight from the upcoming film. The scene features Oona Chaplin’s Varang in a charged encounter with Stephen Lang’s Quaritch, which Cameron has described as a ‘double seduction’. He was particularly struck by Chaplin’s performance, calling her presence in the scene ‘mesmerising’ and noting the unpredictability of what might unfold next.
Director’s Reluctance to Cut the Scene
Despite the film’s considerable running time—nearing the 200-minute mark—editors were keen to halve the length of this particular sequence. Cameron, however, was having none of it. He reportedly told his team,
‘Guys, you’re about to become unemployed — put it back, every line,’
making it clear that the scene was non-negotiable. For Cameron, the moment was essential to the development of both characters, even if it did not quite fit the family-friendly image the series is known for. Both Chaplin and Lang delivered performances that, in his view, justified its inclusion.
Chaplin herself was not without reservations. Although her audition for this very scene secured her the role, she later considered requesting a reshoot, feeling the weight of her character’s backstory. She explained,
‘I got to call Jim, ask him to reshoot it. It’s such an important scene, her whole origin story is in there. I really wanted to honour her trauma and the resilience of this character in a way that did that story justice.’
Cameron, however, reassured her by showing the finished scene and reiterating that it was his favourite.
Significance of the Varang and Quaritch Encounter
What sets this moment apart is not simply its intimacy, but the underlying tension and shifting power dynamics between the two characters. Both Varang and Quaritch enter the encounter with their own agendas, and the balance of control appears to shift repeatedly. Whether Quaritch’s intentions prevail or Varang manages to assert herself, the psychological interplay is what gives the scene its edge.
Cameron praised Chaplin’s ability to navigate these complexities, stating,
‘There are a lot of layers to what she’s doing there and the forces that are driving her, and Oona was able to move fluidly back and forth between those in a way that I wasn’t seeing with the others. I’m sure, in retrospect, I could have cast any of them. But my instinct is to always go with the actor that understands the character the best.’
This nuanced approach ultimately convinced him that Chaplin was the right choice for Varang.
Looking Ahead
With Fire & Ash now in cinemas, attention will soon turn to how Cameron plans to build on these character dynamics in the next chapter. For now, audiences are left to reflect on the bold choices made in this latest entry, and perhaps to share their own thoughts on Varang’s most memorable moments.
Avatar: Fire & Ash is currently showing in UK cinemas.