Coen Brothers Unfazed by Godard’s Disdain and Industry Jibes
The Coen brothers take criticism from cinema icons like Jean-Luc Godard in their stride, responding to negative opinions with wit and a sense of perspective on their enduring influence.
When you’ve shaped the landscape of modern cinema as much as the Coen brothers have, it’s difficult to imagine that the opinions of even the most respected peers would rattle you. With a career marked by both critical acclaim and a devoted following, the brothers have grown accustomed to a chorus of approval that tends to drown out the occasional note of disapproval. Their distinctive approach to storytelling and filmmaking has won them admirers across the industry, with many praising the unique atmosphere and tone they bring to each project.
Public Praise and Private Reservations
Angelina Jolie once remarked,
“One can be so full of humour, and the next can be so frightening, but you always know going into a Coen brothers movie that it’ll be something special.”
This sentiment is echoed by many, who appreciate the unpredictability and range found in their work. Yet, as is often the case with those who push boundaries, not everyone is equally impressed. Some, like author Geoff Dyer, find their attempts at humour particularly grating. Dyer confessed,
“When I’m in a Coen brothers film, in a cinema, I’m surrounded by all of these people laughing their heads off, and I’m sitting there stone-faced.”
Such reactions are not uncommon, and the list of those who remain unmoved by their films continues to grow.
Godard’s Disapproval and the Brothers’ Response
News that Jean-Luc Godard, a towering figure in European cinema, is among their detractors did little to unsettle the Coens. Ethan Coen shared with a wry smile,
“We just found out that Jean-Luc Godard really hates our movies!”
He went on to muse,
“Too bad Luis Buñuel didn’t live longer. It would be interesting to hear that Buñuel hates our movies too. Or what about Pier Paolo Pasolini?”
The brothers’ reaction, laced with humour, suggests a certain detachment from the sting of criticism, even when it comes from such esteemed quarters.
Industry Jabs and the Art of Brushing Off
Recalling another instance, Ethan mentioned hearing that Jim Jarmusch had once described their films as ‘Spielbergian’. Joel Coen, ever the observer, noted the effect such remarks can have, saying,
“It’s interesting because, since you heard about the Godard thing, you’ve been obsessed with all the people who’ve dissed you. And Jim probably didn’t even mean it! Well, yes, he meant it as a little bit of slap, but he probably regrets it.”
While the brothers are generally able to let such comments slide, it’s only natural that the opinions of fellow filmmakers occasionally give them pause, especially when the intent behind a remark is ambiguous.
Subjectivity and the Nature of Critique
For artists operating at the Coens’ level, criticism—no matter how pointed—often boils down to personal taste. Even the harshest reviews, when examined closely, tend to reflect individual preferences rather than any objective failing. The brothers’ ability to meet such feedback with a shrug and a quip is perhaps a testament to their confidence in their own vision, and to the understanding that, in the end, not every story will resonate with every viewer.