TV

From spy to screen: how Tom King’s CIA past shaped HBO’s Lanterns

From spy to screen: how Tom King’s CIA past shaped HBO’s Lanterns
Image credit: Google Veo 3

Before he was shaping HBO’s Lanterns, Tom King was serving in U.S. intelligence. The DC standout’s jump from spycraft to superheroes gives the series one of Hollywood’s strangest origin stories.

If you think every superhero series comes from some fanboy who grew up in his mum's basement, keep reading — this one's actually a bit madder than average. The creative brain steering HBO's new 'Lanterns' series, Tom King, didn't start with spandex and comic cons; he was off dodging real bullets for the CIA before ever picking up a Green Lantern ring.

From CIA Missions to Green Lantern Corps

Tom King's backstory reads more like something from a John le Carré thriller than the usual colour-by-numbers Hollywood origin tale. He'd just finished university back when the comics industry looked pretty bleak — not exactly a scene bursting with jobs for writers. Then 9/11 hit, and King's career plans went completely sideways. Instead of chasing freelance gigs, he actually joined the CIA, spent a year slogging through training, and became a counterterrorism case officer throughout his twenties.

‘I became a case officer... that's how I spent my 20s,’ King told Variety, which might be the most casual summary of CIA fieldwork I've ever heard. Anyway, this wasn't some short stint — this guy properly lived it. So when he started writing comics years later, he wasn’t just making up a world-saving crisis or two. He’d seen pretty bleak things up close.

Strange Bedfellows: Superheroes and Spycraft

King's unusual history is now bleeding straight into HBO's 'Lanterns', and you can tell it's not going to be your everyday, save-the-universe fare. Forget endless CGI slugfests for once — this series leans hard into detective territory. You've got Hal Jordan (with Kyle Chandler in the role — perfect bit of world-weariness there) paired up with John Stewart (played by Aaron Pierre), thrown together in someone's idea of nowhere Nebraska to investigate a murder. Spoiler: It's not just a simple backwater whodunnit, but an unravelling cosmic conspiracy. Definitely a shake-up from standard capes-and-tights stuff.

King pitched it to HBO as a 'grounded detective story', which, to be honest, is a much-needed pivot if you ask me. It's not often you hear about a comic adaptation where the key ingredients aren't just 'let's blow something up and play some plucky Marvel-esque banter over it.'

Maturity and Some Actual Stakes

The difference with King's scripts, according to his co-creator Damon Lindelof (yes, of 'Lost' and 'Watchmen' fame), is that they feel like they're written by someone who's had a proper life before entering showbiz. As Lindelof puts it:

'There's a sophistication to his writing because he's lived a life. Before I was a writer, I was an assistant for writers; Tom was in the CIA. He's experienced a level of intensity that permeates his work.'

It's not every day you get that sort of CV — usually 'lived a life' means they spent some time in improv theatre, not actively stopping terrorist attacks. Frankly, it explains quite a lot about why King's comics and scripts are a few notches darker and sharper than most.

Sorting Out the Controversy

Of course, because this is The Internet and it's 2026, some people have tried to read King's CIA days as a green light for whatever US military action they happen to dislike. Specifically, a few have accused him of supporting the Iraq War simply by virtue of having worked in US intelligence, which he flat out denies. As King points out, his job was all about preventing attacks and actually protecting lives, not backing any invasion no matter what admin was in charge. In his own words: 'I was against the Iraq War.'

Cast and Concept Rundown

  • Kyle Chandler as Hal Jordan: veteran, slightly battered Green Lantern
  • Aaron Pierre as John Stewart: the rookie cop-with-a-ring type
  • Premise: Both get thrown together to solve a murder in Nebraska — but in true King style, it expands into something involving the wider universe (with proper consequences, not just easy reset buttons)
  • The vibe: Less 'planet-hopping mayhem', more 'True Detective with power rings'