Movies

Christopher Nolan’s The Odyssey forces the one career question he can’t outrun

Christopher Nolan’s The Odyssey forces the one career question he can’t outrun
Image credit: Google Veo 3

Christopher Nolan sets sail for myth this month with The Odyssey, his splashiest gamble yet. Homer’s storm-tossed Odysseus runs the gauntlet of Sirens and the Cyclops Polyphemus with an A-list crew aboard, but the real question is whether this epic rewrites Nolan’s career map or just marks a bold detour.

You know the sort of film where everyone clears their schedule just to get tickets on opening weekend? Well, Christopher Nolan's The Odyssey is right in that camp. The thing is, there's more to this than just another sprawling blockbuster – Nolan's career at this point is verging on its own mythology.

What Nolan's Up To Now

It's a bit mad, really. Nolan’s taking on Homer’s Odyssey – that's the ancient Greek epic where Odysseus, having just about survived the Trojan War, then spends a decade ‘popping home’ and tangling with mythic horrors: Sirens, the Cyclops Polyphemus, you know the drill.

The cast? Frankly, it's what you'd call a flex. We’re talking Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong'o, Samantha Morton, Zendaya, and Charlize Theron. Shamelessly stacked.

Blockbuster Numbers... Again?

Early box office projections are already off to the races: in North America alone, people are whispering about an opening between $80 and $100 million, and with the amount of packed-out PLF (that’s Premium Large Format – read: IMAX and such) presales so far, some are quietly expecting it to go higher. Reaction post-premiere has been – no surprises – full of hype.

Is Nolan Simply Unstoppable?

Honestly, Nolan is the rare sort of filmmaker who puts his name on a poster and suddenly, everyone's interested – the only others in that select group right now are Quentin Tarantino, Martin Scorsese, and Spielberg. Thing is, at this moment, Nolan's arguably outshining all of them in power and box office pull.

His last film, Oppenheimer, was an adult drama where, aside from the rather cool Trinity Test sequence, it’s mostly blokes in rooms having heated chats. And yet, it brought in over $975 million worldwide and basically hoovered up seven Oscars, including Best Picture. Picture Tarantino, Scorsese, or Spielberg managing numbers like that in 2026 – not likely.

The So-Called "Failures"

  • Tenet: Billed as a Nolan blockbuster, released in September 2020 – bang in the middle of the pandemic. Cinemas were either closed or severely limited. Still did $365 million globally. By normal standards, people called it a "misfire," which, given the context, makes about as much sense as calling Odysseus a slacker for not just hopping on a ferry back to Ithaca.
  • Studio comedies: The only thing left on Nolan’s bingo card. Honestly, hard to imagine him not getting $300 million out of that too. And every studio in Hollywood would practically trip over themselves to get him to do it, such is the strength of his brand now.

Hollywood's Surest Bet

If there’s any director with more muscle in Hollywood right now, I'm yet to see them. The sheer power of the Nolan name has turned him into the safest investment any studio can make. Nobody's rushing to bet against him.

If The Odyssey ends up clearing a billion at the box office – looking at you, record-watchers – that’ll probably go down as Nolan’s most impressive magic trick so far. For now, his reign at the top doesn't look like ending.

The Odyssey opens in cinemas on 17 July 2026.